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Degtiaryov, Stepan
DEGTIARYOV (Dekhterev, Degtiaryovsky), Stepan Anikievich (b. 1766, the village Borisovka, in today’s Kursk district; d. 23 April [5 May] 1813, in today’s Kursk region)— was a serf of Count Sheremetev, in whose choir he sang from childhood; attended Moscow University, studied composition with Antonio Sapienza and Giuseppe Sarti; travelled to Italy to complete his musical education; for several years headed Count Sheremetev’s chorus and orchestra. From 1803, after receiving his freedom, lived in Moscow; later served one of the nobles in the Kursk district. Degtiaryov’s compositional activity includes both sacred and secular music; his most famous secular work is the oratorio Minin i Pozharsky, composed in 1811 on the eve of the Patriotic War of 1812. Degtiaryov’s sacred works were not published during his lifetime, but began appearing in the early the 20th c., primarily in various anthologies published by P. Kireyev, and in the editions of the journal Muzïka i penie. In terms of quality, they are uneven; in some instances one has to question their attribution. The sacred works attributed to Degtiaryov include approx. 40 concertos and 16 hymns from Divine Liturgy, All-Night Vigil, the Wedding Service, and various festal services. Since they are strongly influenced by Italian music, they are considered by many critics to be inappropriate for the liturgy, despite their popularity.
External link
http://www.pravenc.ru/text/171569.htmlhttp://imti.sias.ru/upload/iblock/2f8/imti_2019_20_240_317_lebedeva_emelina.pdf
http://imti.sias.ru/upload/iblock/d45/imti_2018_19_235_316_lebedeva_emelina2.pdf
159 results found
We hymn Thee
N.O.N.
Anaphora (Hymn of the Epiklesis)
SATB and AA Soli
P. 876 S. 1900
First printed edition
Defective original
1
De156
I waited patiently for the Lord
N.O.N.
Sacred concerto
Ps. 39[40]
In vol. Degtiarev S. A. Dvenadtsat' dukhovnykh kontsertov: dlia khora bez soprovozhd. / Foreword by. A. V. Lebedeva-Emelina. Commentary and scholarly reconstruction of the concertos by A. V. Lebedeva-Emelina (No. 1–8), N. I. Teterina (No. 9–12). M.: Zhivonosnyi Istochnik, 2006. p. 152–171.
De135
Troparion for the Nativity of Christ
N.O.N.
Rozhdestvo Tvoe, Khriste Bozhe nash
Thy Nativity, O Christ our God
SATB and SST Soli
In vol.: Istoricheskaia Khrestomatiia Tserkovnogo Peniia, Vol. VIII, ed. by M. Gol'tison, M. 521 P. n.d. 2 pp.
First printed edition
Also in vol.: Sbornik dukhovno-muzykal'nykh pesnopenii raznykh avtorov, No. 7 Rozhdestvenskikh pesnopenii, ed. by N. D. Lebedev. P. Kireev 1913
2
De161
O heavenly King
Sticheron for Pentecost
Attributed to Artemii Vedel, ed. By M. Gol'tison, SPb, “Muzyka i penie” n.d. and, in vol.: Sbornik dukhovno-muzykal'nykh pesnopenii raznykh avtorov, No. 6 Kondaki na akafistakh, pripevy, i kontserty dvunadesiatym prazdnikam, ed. by S. Panchenko, P. Kireev, 1913. But to Degtiarev in other hand-written sources.
De153
Thou art my strength, O Lord
N.O.N.
Sacred concerto
Ode 4 of the T. 8 Resurrectional Canon
S(div)A(div)T(div)B(div) and SSATB Soli
No. 9, pp. 62-67, in vol.: Sbornik kontsertov A. Vedelia i S. Degtiareva, No. 28, ed. by I. V. S., P. Kireev, 1917.
Printed edition
According to Lebedeva-Emelina, Vedel has a concerto under the same title. (See also Ve088.)
De136
O God, hear my prayer
N.O.N.
Ps. 63[64]
In vol.Shetnadtsat' dukhovnykh khorovykh kontsertov iz rukopisnykh sbornikov kontsa XVIII—nachala XIX vekov. Iz sobraniia Vserossiiskogo muzeinogo ob”edineniia muzykal'noi kul'tury imeni M. I. Glinki. vol. 2. Reconstruction and edition by Anton Viskov. M. [2018], pp. 117–130.
De137
Lord, hear my voice
Ps. 26[27]
Possibly a work by A. L. Vedel'
Not found
De139