Orthodox Sacred Music Reference Library

Lvov, Aleksei

Alekseilvov

LVOV, Aleksei Fyodorovich (b. 25 May [5 June] 1798, Revel, today Tallin, Estonia; d. 16 [28] December 1870, estate of Roman’, near Kovno, today Kaunas, Lithuania) — began his career as a military engineer, while continuing to play the violin, which he had studied from childhood. In 1833 gained fame as the composer of the national anthem “God, Save the Tsar”; in 1834 was appointed as personal adjutant to Emperor Nicholas I. From 1837 through 1861, served as Director of the Imperial Court Chapel. As Director of the Chapel, Lvov had a marked effect on the direction of church singing in Russia. Enforcing the Imperial Decree of 1816, according to which only works approved by the Director of the Chapel could be performed at divine services, Lvov exercised strict control over the repertoire of church choirs in Russia. Under his administration, precentors’ courses were established at the Imperial Chapel, as well as a system of examinations and ranks for church precentors; each diocese in the Russian Empire was required to send candidates for training. Lvov also supervised the compilation and arrangement in four-part harmony of the Obikhod notnovo peniya [Common book of musical singing], which later came to be required throughout the entire country. In his theoretical work O svobodnom ili nesimmetrichnom ritme [Concerning free or unsymmetrical rhythm] (1858), Lvov was the first among Russian musicians to identify theoretically the possibility in choral music of rhythm determined by verbal accents rather than by a regular meter. Lvov’s compositional output bears a strong influence of the Italianate style and in particular, of early German Romanticism. In the field of church music, in addition to the Obikhod and a number of simple harmonizations of various common chants, he composed 48 works (publ. by A. Gutheil): of these 17 are composed in free rhythm, but only five are chant arrangements; 15 works have the character of “miniature” sacred concertos, while four are large-scale, multi-movement sacred concertos. In Lvov’s works the harmony, replete with chromaticism, has a marked predominance over melody.

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Lv016

Otche nash No. 2

Our Father

S.Op. 16

The Lord's Prayer

First printed edition

3

Lv016

Lv017 lv026

Penie na Bozhestvennoi Liturgii, sovershaemoi arkhiereem

Hymns at the Hierarchal Divine Liturgy

S.Op. 17

First printed edition

39

Lv017-Lv026

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1

Dostoino est' (vkhodnoe)

It is truly meet

[Russian “Greek” Chant]

Hymn for the entrance of the bishop

SATB

Lv014a

Lv017

2

Ton despotin

Our master and bishop

[S.Op. 17, No. 1]

SATB

4

Lv017

Lv018

3

Svyshe prorotsy... Da vozraduetsia

The prophets proclaimed... Thy soul shall rejoice

[S.Op. 17, No. 2]

At the vesting of the bishop

SATTB Soli and S(div)A(div)TB Chorus

7

Lv018

4

Svyshe prorotsy... Da vozraduetsia

The prophets proclaimed... Your soul shall rejoice

S.Op. 19

Arr. for SATTB Chorus

4

Lv018a

Lv019

5

Priidite poklonimsia

Come, let us worship

[S.Op. 17, No. 3]

[Russian “Greek” Chant]

TTBB (Clergy Choir) and SATB Chorus

2

Lv019

Lv020

6

Is polla eti despota [No. 1]

Many years to you, O master

[S.Op. 17, No. 4]

SSA Trio and SATB Chorus

2

Lv020

Lv021

7

Is polla eti despota [No. 2]

Many years to you, O master

[S.Op. 17, No. 5]

SSA Trio and SATB Chorus

6

Lv021

Lv022

8

Sviatyi Bozhe

Holy God

[S.Op. 17, No. 6]

TTBB (Clergy Chorus)

1

Lv022

Lv023

9

Tropari pri khirotonii Diakona ili Presvitera

Hymns at the ordination of a deacon or presbyter

[S.Op. 17, No. 7]

At the ordination

TTBB (Clergy Chorus) and SATB Chorus

5

Lv023

Lv024

10

Kyrie eleison

Lord, have mercy

[S.Op. 17, No. 8]

At the ordination

SATB

2

Lv024

Lv025

11

Svyshe prorotsy... Da vozraduetsia [No. 2]

The prophets proclaimed... Your soul shall rejoice

S.Op. 18

At the vesting of a bishop

SSATBB Soli and SATB Chorus

6

Lv025

Lv026

12

Is polla eti despota

Many years to you, O master

Arr. for SSAA by the composer.

4

Lv026

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Lv035

Postiashchesia, bratie, telesne

Brethren, as we fast bodily

S.Op. 29

Sticheron at Wednesday Vespers of the First Week of Lent

SATB

A. Gutheil #A.377929 G. 1887

First printed edition

3

Lv035

Lv034

Postimsia postom priiatnym

Let us keep a worthy fast

S.Op. 28

Sticheron at Monday Vespers of the First Week of Lent

SATB

A. Gutheil #A.377928 G. 1887

First printed edition

3

Lv034

Lv037

Prechistomu Tvoemu Obrazu

We worship Thy most pure Image

S.Op. 31

Dismissal Troparion at Sunday Vespers of the First Week of Lent

SATB

A. Gutheil #A.377931 G. 1887

First printed edition

3

Lv037

Lv038

Predlozhiv tainuiu post trapezu

Having offered us a mystical repast

S.Op. 32

Kathisma Hymn at Tuesday Matins of the Second Week of Lent

SATB

A. Gutheil #A.377932 G. 1887

First printed edition

3

Lv038

Lv040

Predstoiashche Krestu neiskusobrachnaia Mati

Standing before the Cross

S.Op. 34

Stavrotheotokion at Wednesday Matins of the Fourth Week of Lent

SATB

A. Gutheil #A.377934 G. 1887

First printed edition

3

Lv040

Lv033

Priide post, mati tselomudriia

The fast, the mother of chastity, is here

S.Op. 27

Sticheron at Monday Matins of the First Week of Lent

SATB

A. Gutheil #A.377927 G. 1887

First printed edition

2

Lv033

Lv048

Priidite, vsemirnoe uspenie

Come, let us celebrate the dormition

S.Op. 42

Sacred concerto

from the Akathistos for the Dormition of the Mother of God?

SATB(div)

A. Gutheil #A.377942 G. 1887

First printed edition

4

Lv048

Lv045

Prikloni, Gospodi, ukho Tvoe

Incline Thine ear, O Lord

S.Op. 39

Sacred concerto

Ps. 142[143]:1-2; 144[145]:18; 145[146]:5-7; 144[145]:21

SSA(div)T(div)B

A. Gutheil #A.377939 G. 1887

First printed edition

26

Lv045